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Learn Musical Instruments 'slow practice' 15 of the golden rule

1, slowly can you faster. 2, 1 times the slow practice, rather than for 10 times faster. 3, can play more slowly and kung fu. 4, if not slow down, control is not enough. 5, was not slow music can slow down, is progress. 6, fluent slower than the ke rambled fast. 7, slower than the original speed, is the slow practice. 8, slow to slow uniform, proportionally slow, don't when the fast slowly. 9, metronome is a good helper of the slow practice, also want to try to have a look when the slow practice. More than 10, the slow practice not pass, is focused. 11, the slow practice is to let your mind and ears to keep up with your fingers. 12 and the slow practice singing, can keep brain is present. 13, the slow practice easy to fatigue, can use local slow practice, the slow practice way to concentrate. 14, sight-reading new spectrum, both brain quickly, little break little mistake, improve efficiency. 15, review the old song, more slowly than fast, prevent play & other; Oil & throughout; 。 16, back spectrum slowly back, more.

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It might be interesting to see if these new findings could be replicated in a Western sample.

Many of Bach's works in the course of the 1730s and 1740s have been written for and performed by the Collegium Musicum; amongst these were components of his Clavier-Übung and many of his violin and keyboard concertos.

The musical instrument collection has grown over time as the result of these residencies, and its make-up displays the instrumental traditions of the artists who've been our friends.

The subsequent phase of the project will be to increase the number of instruments, to systematically seize a broad range of playing techniques, and record small groups of devices.

Numerous artistic and literary references present the aulos being used.

Oohashi and his colleagues recorded gamelan to a bandwidth of 60 kHz, and played again the recording to listeners by way of a speaker system with an additional tweeter for the vary above 26 kHz.

The construction of pneumatic organs developed in Europe starting in fifth-century Spain, spreading to England in about seven-hundred.

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High notes are nearer to 1 one other and because of this it's really robust to differentiate between them and get the proper one.

Note that, as seen in Figure 1, the trumpet remains to be 12 to fifteen dB above the background at this frequency; so the energy seen at fifty five kHz, although non-harmonic, remains to be trumpet sound.
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